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Our point of view

Knitwear, reconsidered for warmer days.


Knitwear is often imagined for cold weather.

We begin elsewhere: with humidity, changing temperatures and the movement between outdoor heat and air-conditioned rooms.

Our pieces are developed with fine-gauge structures, considered stretch and silhouettes that sit close to the body without feeling heavy. They are designed to be worn across seasons in the climates we know—then carried into lives elsewhere.

Built from the wearer outward.

A design begins in the studio, but it becomes complete through wearing—through movement, repetition, changing bodies and everyday life.

NEW IN

New silhouettes and returning signatures, developed in fine knits for warm days and the spaces in between.

A CONTINUING STUDY

The knit dress, shaped in many ways.

From a fitted ribbed line to an accordion pleat or a softened A-line, each dress begins with the relationship between structure and movement.

Catherine

A streamlined line shaped by an empire waist and fine accordion pleats

Louise

A cheongsam-informed silhouette with a softened cowl neckline

Sophia

A cardigan design gently contours the body with shaping cable knit

Gabrielle

Pointelle, bustier shaping and a fluid mermaid line

Fit & Form

Designed around the body.

Our proportions are developed in-house with East and Southeast Asian women in mind.

Stretch is calculated as part of the pattern: where a garment should follow the body, where it should hold its shape and where it should allow ease.

The result is a range of fits: from close and sculpted to relaxed and fluid—each designed to feel intentional on the body.

How It Is Made

Knitted to shape.

Each garment is made using fully fashioned construction. Individual panels are knitted directly to their intended shape, then carefully linked together.

This allows proportion and structure to be built into the garment while reducing the cutting waste associated with conventional cut-and-sew production.

Fine ribs, pointelle, pleats and shaped panels are not surface decoration alone. They determine how a piece stretches, falls and returns to form through wear.

Worn by Our Community


The journey of hello ronron in your hands—transformed with every wear.

Sylvie Dress Very Peri

Vahbiz @vahbizchinoy

Louise Dress Taupe Gray

Kay @kayyy_910

Sophia Dress Rosewood Pink

Kay @kayyy_910

Dorothy Dress Mauve

Quinn @quinn.fung

Joan Dress Olive

Marta @ksendatious

Angelique Dress Taupe

Kay @kayyy_910

Gabrielle Dress Ivory

Quinn @quinn.fung

Joan Dress Chai

Marta @ksendatious

Catherine Dress Navy Blue

Kay @kayyy_910

Helena Dress Misty Blue

Kay @kayyy_910

Agnes Top Laveneder

Kay @kayyy_910

Sylvie Dress Cream

Crystal @ckylatan

Built from the wearer outward.

A design begins in the studio, but it becomes complete through wearing—through movement, repetition, changing bodies and everyday life.

Customer conversations and real experience continue to inform how our proportions, fits and silhouettes evolve.

Across Malaysia, Singapore, Taiwan, Hong Kong and cities further away, each piece finds a different life in the hands of the woman wearing it.

An Asian brand, built across cities

From Kuala Lumpur, between Taiwan and Singapore.

hello ronron was founded in Kuala Lumpur in 2022 by Taiwanese designer Angela Tsai-Jung Chiang.

Her background in womenswear, printed textiles and theatre costume—together with years lived and worked across Taiwan, Canada, the United Kingdom, Malaysia and Singapore—shapes the way the brand considers clothing, climate and the body.

Today, hello ronron is designed between Taiwan and Singapore: rooted in the region, attentive to the lives around it and open to the wider world.

hello ronron | Behind the Scenes Sketches

From the Studio

Notes on making, wearing and building slowly.

Material studies, collection notes and observations from behind the work.